Archive for July, 2009

Weekly Comics Haul/Reviews – 15th July 2009

Wednesday, July 22nd, 2009

Blackest Night #1 cover

Black­est Night #1

In this, the first issue of Black­est Night, Carol Fer­ris shoots a robot in the crotch with the power of love.

Ok, so a lot more hap­pens either side of that one scene. Some good, some bad. But over­all this is a pretty solid start to DC’s 2009 event.

Tales of the Corps #1 cover

Tales of the Corps #1

I under­stand what they’re try­ing to do with this 3 issue minis­eries. Using it to shine a light on lesser char­ac­ters that don’t get a whole lot of back­story in the reg­u­lar titles. But two out three of the sto­ries here just aren’t that inter­est­ing. First up is an ori­gin for Saint Walker, that doesn’t add that much more to his char­ac­ter. Yes he went through many, many hor­ri­ble events one after the other before finally real­is­ing his des­tiny, but so what. Name one saint that hadn’t endured a long shitty exis­tence before get­ting their halo?

The sec­ond story isn’t all that excit­ing either. It spins a tale of  Mongul’s child­hood dur­ing one mag­i­cal sum­mer where he was the ruler of some aliens who had crash landed on his plant. But who cares because that kid grows up into an ass­hole tyrant who uses a magic ring to con­trol his sev­ered arm and who also ripped another alien’s tongue out just so that alien wouldn’t talk back to him anymore.

Luck­ily, the third and final story shows some merit. Full points for hav­ing the nomadic Indigo Lanterns sound like char­ac­ters from The Gods Must Be Crazy.

Dark Avengers #7 cover

Dark Avengers #7

I dis­cov­ered I enjoy read­ing Dark Avengers writ­ten by Matt Frac­tion a lot more than when it’s writ­ten by Brian Michael Bendis.

Com­plete List

Black­est Night #1 (of 8)
Black­est Night Tales of the Corps #1 (of 3)
Wednes­day Comics #2 (of 12)
Agents Of Atlas #8
Dark Avengers #7
Incog­nito #5
Mighty Avengers #27
X-Factor #46

WANT: Modern Warfare 2 Prestige Edition

Friday, July 17th, 2009

Modern Warfare 2 Prestige Edition

Real work­ing Nightvi­sion Gog­gles? Yes, please!

(via Engad­get)

UPDATE: JB HiFi seem to be tak­ing pre­orders now. $199 seems like a rea­son­able enough price, con­sid­er­ing it’s goign for US$149 in America.

Weekly Comics Haul/Reviews – 8th July 2009

Tuesday, July 14th, 2009

Green Lantern #43 cover

Green Lantern #43

Remem­ber those books from the 90’s where the bad guy, or some other “spe­cial guest star” would take over a book, spray paint­ing or oth­er­wise cov­er­ing up the main title? I kind of wish they did some­thing like that here, as this book is totally Black Hand’s story.

It serves as a nice pre­lude to Black­est Night, retelling Black Hand’s life story and touch­ing on his child­hood, first appear­ance in a Green Lantern book, his role in the recent — and overly long — Secret Ori­gin arc, right up to Green Lantern: Rebirth. There’s also a call­back to the German-speaking  Grem­lins that kid­napped him soon after. It looks like Johns has another bad guy/girl wait­ing in the wings once Black­est Night wraps up. Unless they’re a major player and I’ve com­pletely mis­judged who it was sup­posed to be.

While I can appre­ci­ate Philip Tan’s char­ac­ter designs, his rushed, rough pen­cilling on the book itself really didn’t do any­thing for me. Doug Mahnke on the other hand should be per­fect fit for this book. I’m only famil­iar with his work on Super­man: Beyond and the last issue of Final Cri­sis. But the way he was able to have the char­ac­ters con­vey even the small­est emo­tion should be a great boon to a book entirely devoted to explor­ing large facets of the emo­tional spectrum.

Wednesday Comics #1 cover

Wednes­day Comics #1 (of 12)

After Trin­ity I was all but ready to give up on the weekly comic for­mat. Trudg­ing through 52 issues of epic space opera that alter­nated between molasses-speed intro­spec­tion and smash cuts of earth-shaking bat­tles took a lot out of me.  But I think DC had the mea­sure of their audi­ence. They knew that the next weekly had to be some­thing spe­cial. Some­thing with a touch of nov­elty to draw an audi­ence made up of those already worn down and those look­ing to break into the comics scene. Some­thing with a strong cre­ative team to keep peo­ple com­ing back. And I think they’ve done it.

There’s 14, one page sto­ries con­tained within, all of vary­ing qual­ity (but none of them ter­ri­ble).  That they’re all set “out­side con­ti­nu­ity” isn’t a great prob­lem. The character’s basic per­son­al­i­ties and dri­vers are all there. Green Lantern wears green, flies in space; Super­man beats the hell out of robots while pro­tect­ing humans.

Though this is only the first issue I do have my favourites already. Neil Gaiman and Mike Allred’s Meta­mor­pho is just the right amount of 1950’s pulp adven­tur­ing; while Jimmy Palmiotti and Amanda Conner’s Super­girl is, in a word, cute. Sgt. Rock, Bat­man, Kamandi are three more sto­ries that have me bit­ing my nails and hang­ing for the next issue. I guess the only story I really have a prob­lem with is Won­der Woman. It’s overly wordy and the panel lay­out makes it incred­i­bly hard to fol­low. If they’re going to con­tinue  framign it in the same way I’d sug­gest using arrows to direct the reader from one panel to the next, much like tra­di­tional large for­mat news­pa­per comics have.

I really hope this works out for DC. I’d love to see this done as a yearly event. Some­times its just nice to read a comic that just wants to enter­tain you and isn’t hung up in push­ing things in “a bold new direction!”

My local comics shop had com­pletely sold out of copies by Mon­day. So hope­fully DC see this as a sign that most of the spec­u­la­tors have left the mar­ket and that there’s peo­ple out there will­ing to read their sto­ries regard­less of what the damn thing is printed on.

Com­plete List

Booster Gold #22
Green Lantern #43
Wednes­day Comics #1 (of 12)
Dark X-Men Begin­ning #1 (of 3)
Ms Mar­vel #41
X-Men: Legacy #226

Weekly Comics Haul/Reviews — 1st July 2009

Tuesday, July 7th, 2009

Green Lantern Corps #38 cover

Green Lantern Corps #38

This issue got me think­ing about how much Count­down failed Kyle Rayner as a char­ac­ter. In Count­down he was lit­tle more than trans­port for the other char­ac­ters. Using the most pow­er­ful weapon in the uni­verse as directed through his artist’s mind to cre­ate bub­bles and flat boards for them to ride on.

The Kyle we see in this issue is con­fi­dent and most impor­tantly proac­tive. The back half of this book has a great con­fronta­tion between Kyle, Guy Gard­ner the Alpha Lanterns. Peter Tomasi should be really proud of how well he’s fleshed Kyle out. This isn’t the same char­ac­ter from the ION series (that I dropped halfway through due to over­whelm­ing meh-ness). In link­ing him to Guy and Sorinik Natu Tomasi has given Kyle both pur­pose and passion.

Art by Patrick Glea­son is good. Very good in fact. It must take a lot of work to draw this book. What with 99% being aliens of dif­fer­ent shapes and sizes. Then hav­ing those aliens appears con­sis­tently across every page. It’s really impres­sive work. I don’t know why Glea­son isn’t doing more in the indus­try. He’s def­i­nitely one to follow.

Uncanny X-Men #513 cover

Uncanny X-Men #513

I’m still not 100% sold on this book.

I get what they’re try­ing to say with the sto­ry­line. Propo­si­tion X is a par­tial alle­gory of California’s Propo­si­tion 8. And if the story was a med­i­ta­tion on how Propo­si­tion X (pro­posed ster­il­i­sa­tion of all mutants) it could’ve been incred­i­bly inter­est­ing. But this is a Mar­vel Uni­verse under Nor­man Osbourne’s Dark Reign. So he has to pop up to reit­er­ate what a giant ass­hole he is. Again.

And there’s the lit­tle things that didn’t need an extra layer of comic book­i­ness added. Like Simon Trask, the man repon­si­ble for organ­is­ing the march that starts this whole thing, being revealed as some sort of cyborg or Sen­tinel of some kind. Wasn’t it enough that he was this hor­ri­bly blink­ered bigot? Did he really have to have the electro/mind con­trol thing going on too?

Now that I’ve reread that, it seems weird to be com­plain­ing that a comic book is too much of a comic book. But there you go.

On the plus side the character’s voices are spot on.VBut then Frac­tion was always good at that.

The art work by Terry Dod­son is top notch as always. Some won’t like the thick out­line around each char­ac­ter, but I’m a fan.

Com­plete List

Buffy the Vam­pire Slayer #26
Witchfinder In The Ser­vice Of Angels #1 (of 5)
Bat­man and Robin #2
Green Lantern Corps #38
Secret Six #11
Agents of Atlas #7
Uncanny X-Men #513
Angel #23

Learning how to draw

Sunday, July 5th, 2009

I like to think I’m an excel­lent visu­aliser. I’ve got ideas float­ing around in my head, but when it comes to putting any of them down on paper or screen I strug­gle. Oh how I struggle.

There’s been a cou­ple of free­lance jobs lately where the end results were func­tional, but not all that pretty. I wanted to fix that, so I set about teach­ing myself how to make graph­ics that don’t suck.

Make a Torn Vec­tor Desk­top Wall­pa­per with Angled Text

I’d been fol­low­ing Vec­tor­Tuts for a while but every tuto­r­ial they ran looked way out of my league. It took a long time until I saw one that looked sim­ple enough for some­one like me. Some­one  with only a basic knowl­edge of Photoshop.

And here’s my attempt:

travisgreat1-copy

Yes, I know there’s sup­posed to be a series of tears in the images, but I couldn’t bring myself to add them. Not because of any real dif­fi­culty mind, but because they just didn’t seem to fit into the image.

+100 expe­ri­ence points to brushes, gra­di­ents and angled text.

How to Design a Rockin’ 80’s Party Poster

I’d been obsess­ing over grungy images with have a star­burst in the back­ground for a long time. But tak­ing the steps to make one myself was dif­fi­cult. In my searches for a tuto­r­ial on how to make a star­bust I found about half a dozen dif­fer­ent ways, each with vary­ing lev­els of dif­fi­culty, before stum­bling on this one.

retro-copy

Again, you’ll notice that I didn’t actu­ally com­plete the tuto­r­ial. But I learned what I needed to from it, so that’s OK.

+100 expe­ri­ence points to star­burst and grunge effects

How to Cre­ate a Richly Ornate Typo­graphic Illustration

The dif­fi­culty level of this one was some­where around advanced to minor Pho­to­shop demi-god, but I really wanted to give it a crack to really test my skills. The sharper eyed of you will noticed that I fal­tered right at the very begin­ning by set­ting up the can­vas as a por­trait, rather than land­scape. I only picked up the mis­take about three quar­ters the way through the tuto­r­ial. Embar­rass­ing really.

typography small

I’d man­aged to fight my way through the first half of the tuto­r­ial, but it was get­ting harder and harder to con­tinue. The wire­less mouse I use is one of the ear­lier Log­itech designs and weighs a tonne. I wasn’t able to get the smooth lines I was after by push­ing that brick around. Progress up until this point was slow. It took me around three weeks to get to the halfway point. Then I got myself a graph­ics tablet and it changed my life. Grind­ing repet­i­tive tasks could not be com­pleted with a flick of my wrist. Curves lines were no longer rem­i­nis­cent of 8-bit gam­ing, but where smooth as a baby’s ass.

I burned through the rest of the tuto­r­ial in a weekend.

The other thing slowly down the process was the file size. Each of the let­ters con­tains a wood tex­ture iden­ti­cal to the back­ground. I made the mis­take of copy­ing the 200megabyte background.psd file into each and every char­ac­ter. When I was fin­ished the PSD weighed in at just a shade over 1.6gig. Just sav­ing the file took five min­utes. It was when I watched the video tuto­r­ial that I realised there was a bet­ter way of doing it. By dupli­cat­ing the back­ground layer as a clip­ping mask.

My attempt came out far darker than the exam­ple in the tuto­r­ial, I blame the CMYK set­tings on my monitor/copy of Pho­to­shop for that. I need to inves­ti­gate mon­i­tor cal­i­bra­tion if I’m to do any more CMYK-based tuto­ri­als in the future.

+500 expe­ri­ence points to clip­ping masks, graph­ics tablets and light­ing effects

To Be Continued?

I learned so much in just those three tuto­ri­als. I look at bill­boards now and can see what tricks and tools they’ve used when design­ing it.

I’ve got a list of future tuto­ri­als to run through, so expect a sequel to this post at some point. I’m still get­ting used to using the the graph­ics tablet too, so any oppor­tu­nity to play around with it is welcome.

Once I’m at a level where I feel com­fort­able doing my own thing, then I’m going to give this site a total revamp. I’ve already started on the wire­frame mock­ups, but that’s a post for another time.